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44¡¢On tragic Beauty

45¡¢An Analysis of the Social Impact on the Character--Sister Carrie

46¡¢Exploration of the Common Features of American Writers During World War II

47¡¢Jane Eyre's Linguistic Features

48¡¢ÂÛVirginia WoolfµÄÒâʶÁ÷´´×÷·½·¨ÔÚijһ×÷Æ·ÖеÄÌåÏÖ

49¡¢¼òÂÛJane AustinµÄ°®Çé»éÒö¹Û

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53¡¢Romanticism in Mark Twin's works

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68¡¢Jane as a narrator and as a character

69¡¢Character Analysis of Nancy,the¡°criminal¡±in Oliver Twist

70¡¢Virginia Woolf and Modern Feminine Independence

71¡¢An Analysis of Charles Dickens'Great Expectation

72¡¢Familial Relationships in Great Expectations:The Search for Identity

73¡¢ÖÐÍâ±È½ÏÑо¿ª¨È硶ºìÂ¥ÃΡ·Ó롶°ÁÂýÓëÆ«¼û¡·±È½Ïªª¡¶°×¹ԭ¡·Ó롶°ÙÄê¹Â¶À¡·µÈ

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80¡¢A Brief Comment on Shakespeare's The Merchant of Venice£¨Ç³µ­É¯Ê¿±ÈÑǵġ¶ÍþÄá˹ÉÌÈË¡·£©

81¡¢Hamlet:His Characters as a Humanist£¨¹þÄ·À×ÌØÈËÎïÐÔ¸ñ·ÖÎö£©

82¡¢Parallelism and Contrast of Shakespeare's Dramatic Language£¨É¯Ê¿±ÈÑÇÏ·¾çµÄÅűÈÓë¶ÔÕÕÓÃÓ

83¡¢The Social Significance of Dickens's Oliver Twist£¨µÒ¸ü˹¡¶Îí¶¼¹Â¶ù¡·µÄÉç»áÒâÒ壩

84¡¢On the Structure of Dickens's Hard Times£¨Ì¸µÒ¸ü˹¡¶¼èÄÑʱÊÀ¡·µÄ½á¹¹£©

85¡¢Jane Austen's Art of Irony and Its Rhetoric Effects£¨¼ò¡¤°Â˹͡µÄ·´Óï¼°ÆäÐÞ´ÇЧ¹û£©

86¡¢Appreciation of Literary Language of Pride and Prejudice£¨¡¶°ÁÂýÓëÆ«¼û¡·ÎÄѧÓïÑÔÐÀÉÍ£©

87¡¢An Character Analysis of the Heroine of Emma£¨¡¶°®Âê¡·Å®Ö÷È˹«ÐÔ¸ñ·ÖÎö£©

88¡¢The High Class as Seen in Thacheray's Vanity Fair£¨´Ó¡¶ÃûÀû³¡¡·¿´ÉÏÁ÷Éç»á£©

89¡¢From Pastoral Stories to Great Tragic Novels:An Analysis of Hardy's Novels£¨¹þ´úС˵--´ÓÌïÔ°¹Êʵ½Î°´óµÄ±¯¾çÐÔС˵£©

90¡¢Tess:A Rebellious Woman£¨ÅÑÄæÕß̦˿£©

91¡¢Remarks on D.H.Lawrence's Psychological Analyses£¨Ç³µ­ÀÍÂ×˹µÄÐÄÀí·ÖÎöÃèд£©

92¡¢Social Reality as Reflected in the Poetry of William Blake£¨²¼À³¿ËÊ«Öз´Ó³µÄÉç»áÏÖʵ£©

93¡¢Edgar Allan Poe and the World Literature£¨°®Âס¤ÆÂÓëÊÀ½çÎÄѧ£©

94¡¢An Analysis of the Heroine of The Scarlet Letter£¨Ç³Îö¡¶ºì×Ö¡·µÄÅ®Ö÷È˹«£©

95¡¢Symbolism in Hawthorne's The Scarlet Letter£¨¡¶ºì×Ö¡·µÄÏóÕ÷ÊÖ·¨£©

96¡¢Mark Twain:A Humorist£¨Âí¿Ë¡¤ÍÂÎÂ--һλÓÄĬ´óʦ£©

97¡¢The Tragic Color of Ernest Hemingway's Novels£¨º£Ã÷ÍþС˵µÄ±¯¾çÉ«²Ê£©

98¡¢Social Significance as Reflected in The Great Gatsby£¨¡¶Á˲»ÆðµÄ¸Ç´Ä±È¡·Ëù·´Ó³µÄÉç»áÒâÒ壩

99¡¢O.Hernry's Artistic Animation as Seen in His Short Stories£¨Å·¡¤ºàÀû¶ÌƪС˵µÄÒÕÊõÊÖ·¨£©

100¡¢A Critical Study of William Faulkner's A Rose for Emily:Its Narrative Techniques and Structure£¨¸£¿ËÄÉ¡¶Ï׸ø°¬Ã×ÀòµÄһ֧õ¹å¡·µÄÐðʼ¼ÇÉÓë½á¹¹£©

101¡¢Some Features of Steinbeck's Literary Style£¨Ë¹Ì¹±´¿ËÎÄѧ·ç¸ñµÄ¼¸¸öÌص㣩

102¡¢Emily Dickinson and Her Unique Poetry£¨°¬Ã×Àò¡¤µÏ½ðÉ­ÓëËý¶ÀÌصÄÊ«¸è£©

103¡¢An Analysis of Several Robert Frost's Famous Poems£¨Ç³Îö¸¥Âå˹Ìصļ¸Ê×ÖøÃûÊ«¸è£©

104¡¢Symbolism in O'Neill's Major Plays£¨°ÂÄá¶ûÖ÷Òª¾ç×÷µÄÏóÕ÷Ö÷ÒåÒÕÊõ£©

105¡¢The Modern American Society and The Death of the Salesman£¨¡¶ÍÆÏúÔ±Ö®ËÀ¡·ÓëÏÖ´úÃÀ¹úÉç»á£©

106¡¢A Comparative Study of Empathy in English and Chinese Poetry£¨Ó¢ººÊ«¸èÀïµÄÒÆÇé±È½ÏÑо¿£©

107¡¢A Comparative Analysis of Sentence Structures in English and Chinese Poetry£¨Ó¢ººÊ«¸è¾ä×ӽṹ±È½Ï·ÖÎö£©

108¡¢Red and White-----the Dual Symbolic Colors of Tess°×É«ºÍºìÉ«-----̦˿µÄË«ÖØÏóÕ÷É«

109¡¢Fang Hongjian-the Tragic Figure Struggling in¡°Fortress Besieged¡±ÕõÔúÓÚ¡°Î§³Ç¡±Öеı¯¾çÈËÎï-·½ºè½¥

110¡¢Hester and Dimmesdale's Attitudes towards Love and life in The Scarlet LetterÂÛ¡¶ºì×Ö¡·Öк£Ë¹ÌغͶ¡Ã·Ë¹´ú¶û¶Ô°®Çé¡¢×ï¶ñ¡¢Éú»îµÄ̬¶È

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112¡¢On Sister Carrie's Criticism upon American SocietyÂÛ¡¶¼ÎÀòÃÃÃá·¶ÔÃÀ¹úÉç»áµÄÅúÅÐÒâÒå

113¡¢On Scarlett's Attitude towards Life¹ØÓÚ˹¼ÑÀöµÄÉú»î¹Û

114¡¢On the Characterization of Picaresque HuckÂÛ¹þ¿ËµÄÁ÷À˺ºÐÎÏó

115¡¢On the Moral Spirit in the Great Gatsby.ÂÛ¡¶Á˲»ÆðµÄ¸Ç´Ä±È¡·ÖеĵÀµÂ¹Û

116¡¢Thomas Hardy's Pessimism in Tess of the D'UrbervellesÍÐÂí˹¡£¹þ´úÔÚ¡¶µÂ²®¼ÒµÄ̦˿¡·Öеı¯¹ÛÖ÷Òå

117¡¢A Study of Tom Joad in the Grapes of Wrath¡¶·ßÅ­µÄÆÏÌÑ¡·µÄÖÐÌÀÄ·Ô¼µÂÑо¿

118¡¢Mark Twain's Linguistic Style in The Adventures of Tom SawyerdzÎö¡¶ÌÀÄ·Ë÷æ«ÀúÏռǡ·ÖÐÂí¿ËÍÂεÄÓïÑÔ·ç¸ñ

119¡¢On the Characteristics of Uncle TomÌÀÄ·ÊåÊåµÄÐÔ¸ñ·ÖÎö

120¡¢A Study of the Themes in A Farewell to Arms¡¶ÓÀ±ðÁËÎäÆ÷¡·µÄÖ÷Ìâ˼ÏëÑо¿

121¡¢The Tragic Fate of¡°a Pure Woman¡±in the Conflict of the Individual and the Society¡°Ò»¸ö´¿½àÅ®ÈË¡±ÔÚÈËÓëÉç»á·¢Õ¹³åÍ»Öеı¯¾çÃüÔË

122¡¢On the Language Style of a Midsummer-Night's DreamÂÛ¡¶ÖÙÏÄÒ¹Ö®ÃΡ·µÄÓïÑÔ·ç¸ñ

123¡¢The Social Significance of Swift's Gulliver's Travels¡¶¸ñÁзðÓμǡ·µÄÉç»áÒâÒå

124¡¢The Psychological Analysis in MacbethÂÛɯʿ±ÈÑÇ¡¶Âó¿Ë°×¡·µÄÐÄÀí¿Ì»­

125¡¢Inflexible Ada in Cold Mountain¡¶Àäɽ¡·ÖÐÖ´ÖøµÄ°¬´ï

126¡¢On the Romanticism and Realism of Alice in WonderlandÂÛ°®ÀöË¿ÃÎÓÎÏɾ³µÄͯ»°ÐÔÓëÏÖʵÐÔ

127¡¢On the Tragicomedy of Rebecca in Vanity FairÂÛ¡¶ÃûÀû³¡¡·ÖÐÀûÝí¼ÓµÄ±¯Ï²Ò»Éú

128¡¢On the Humour of Oliver TwistÂÛ¡¶Îí¶¼¹Â¶ù¡·µÄÓÄĬÒÕÊõ

129¡¢Tom Jones,a Dissipated but Kindhearted Man·Åµ´¶øÓÖÉÆÁ¼µÄÌÀÄ·Çí˹

130¡¢The Free Will and Rebellious Spirit in Paradise LostʧÀÖÔ°¡·ÖеÄ×ÔÓÉÒâÖ¾ºÍ·´ÅѾ«Éñ

131¡¢On the Development of Shylock's CharacterÂÛÏÄÂå¿ËµÄÐÔ¸ñ·¢Õ¹

132¡¢Morality and Criticism in Tom JonesÆÀ¡¶ÌÀÄ·Çí˹¡·ÖеĵÀµÂ¹ÛÓëÅúÆÀ¹Û

133¡¢On Imogenª¦the New Feminine Image in CymbelineÂÛ¡¶ÐÁ°×ÁÖ¡·ÖÐÒÁĽÇÙµÄÐÂÅ®ÐÔÐÎÏó

134¡¢Burns'View on Love and FriendshipÂÛÅí˹µÄ°®ÇéÓÑÒê¹Û

135¡¢The Reflection of Art and Life in Ode on a Grecian Urn and Ode on a NightingaleÏ£À°¹ÅÎÍËÌ¡·¡¶Ò¹ÝºËÌ¡·ÖÐÒÕÊõÓëÉú»îµÄ¶ÔÕÕ

136¡¢The Womanism in¡°The Color Purple¡±¡¶×ÏÉ«¡·Öеĸ¾Å®Ö÷Òå

137¡¢Love Reflected by Individual Character-view of marriage in Pride and PrejudiceÓɸöÐÔ·´Ó³³ö°®--¡¶°ÁÂýÓëÆ«¼û¡·ÖеĻéÒö¹Û

138¡¢Analysis of the Character of Nancy in Oliver TwistÂÛµÒ¸ü˹¡¶Îí¶¼¹Â¶ù¡·ÖÐÄÏÏ£µÄÈËÎïÐÔ¸ñ

139¡¢On the Character of Shylock in¡°The Merchant of Venice¡±ÂÛ¡¶ÍþÄá˹ÉÌÈË¡·ÖеÄÈËÎïÏÄÂå¿Ë

140¡¢29Humor and Satire in¡°Pride and Prejudice¡±¡¶°ÁÂýÓëÆ«¼û¡·ÓÄĬÓë·í´Ì

141¡¢On Charles Dickens'Style and Language in¡°x x x¡±ÂÛ²é¶û˹¡£µÒ¸ü˹XXX×÷Æ·ÖеÄÓïÑÔ¼°·ç¸ñ

142¡¢Points of View and the Mode of Discourse in¡°Vanity Fair¡±ÂÛ¡¶ÃûÀû³¡¡·µÄ¹Ûµã¼°ÑÔÓ﷽ʽ

143¡¢Techniques of Theme Production in¡°Wuthering Heights¡±¡¶ºôХɽׯ¡·Ö÷ÌâµÄ±íÏÖÊÖ·¨

144¡¢A Probe into the Feminist Idea of¡°Jane Eyre¡±¡¶¼ò¡£°®¡·Å®ÐÔÖ÷Òå˼ÏëµÄ̽Ë÷

145¡¢On the linguistic Features of¡°Huckleberry Finn¡±¡¶¹þ¿Ë±´Àû¡£·Ñ¶÷ÀúÏռǡ·µÄÓïÑÔÌصã

146¡¢The Influence of Wars on American LiteratureÕ½Õù¶ÔÃÀ¹úÎÄѧµÄÓ°Ïì

147¡¢On T.S Eliot's Mythological ConsciousnessÂÛT.S°¬ÂÔÌصÄÉñ»°Òâʶ

148¡¢On the Development of Jane Eyre's CharacterÂÛ¼ò¡£°®µÄÐÔ¸ñ·¢Õ¹

149¡¢Scarlet and Black in¡°The Scarlet Letter¡±¡¶ºì×Ö¡·ÖеĺìÓëºÚ

150¡¢On the Tragedy of Loman's Family in¡°Death of A Salesman¡±ÂÛ¡¶ÍÆÏúÔ±Ö®ËÀ¡·ÖÐLomanÒ»¼ÒµÄ±¯¾ç

151¡¢On the Vividness and Images in Poem¡°x x x¡±ÂÛ¡¶x x x¡·Ê«ÖеÄÉú¶¯ÐÔÓë±ÈÓ÷

152¡¢Metaphoric Expressions in Poem¡°x x x¡±ÂÛ¡¶x x x¡·Ê«ÖеݵÓ÷

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